It was in a nondescript flat, wooden box in the basement, a leftover from previous tenants now long gone. Or the tenants who came of left before the last couple who lived here. Rosalind couldn’t really tell, nor was she particularly interested in dragging that heavy box upstairs to take to the corner for trash day. Something about the box piqued her curiosity, though, especially the light that seemed to shine through one of the uncovered edges.
It took her an hour to pull and drag the box up the wooden stairs.
After finding a hammer, she flipped it to the prong side and began pulling out the nails, carefully tossing them in a neat pile. The wood seemed old, and gave way to her strength as she pulled out a large, round pane of stained glass. Looking at the wooden walls in the living room and dining room and the square window panes, it occurred to Rosalind that this could not have been installed in the house because it was too big for any house. It belonged to a church, perhaps a church long gone.
As she studied the design and colors, she noted the familiar image of the Virgin Mary and Child, how the pane seemed to capture the sunlight coming into the kitchen as if to store its ray like a solar panel. The room began to fill with a warm glow, and the air was suddenly fragrant with the smell of fresh roses. As Rosalind began to fill with a certain and familiar quiver of her state of “tipsy,” it occurred to her that no church would have commissioned such a work for their sanctuary, for it would not have been deemed acceptable for the masses.
What was once thought to be basement junk was now a center of attention in her living room as found art to outsiders who visited her as it hung on her wall seeming to have its own source of light even as the sun set outside.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.